RETRIBUTION this is a blog on the short film being produced by the guys themself nathan ryan and james
Showing posts with label James matthews. Show all posts
Showing posts with label James matthews. Show all posts
Friday, 6 May 2011
Thursday, 5 May 2011
Monday, 2 May 2011
Tuesday, 12 April 2011
Character profile 'Nathan'
Nathans character is the antagonist in our thriller, he is the most violent character as he kills the protagonist in the. Nathan's real identity is not shown throughout the thriller, there's a camera shot showing a suspect but his real identity is covered up by a cliffhanger ending; leaving the thriller a mystery to the viewer.
We are first introduced to Nathan at the protagonists house, when he appears round a corner of the door peering at the protagonist, getting ready to attack him. Instantly he provides action for the thriller by the attack and the viewer can tell he is going to be a key character through the thriller. Nathan is not involved in any communications throughout the thriller, meaning that his personality is disclosed so he could be anybody. However, his actions and body language throughout the thriller express the fact that he is a very aggressive male. Nathan is seen as a bulky character with a substantial height on him, making him very intimidating and so that he fits the role of his antagonist character perfectly.
Towards the end of the clip Nathan is seen running away from a car, showing that he has done something wrong and does not want to be caught; he has a fear of getting caught. The next scene shows Nathan tied to a chair in a mysterious room with his attacker behind him about to reveal his identity, unfortunately it is left leaving the viewer in suspense as they never find out his true identity because it cuts to the title of our thriller; 'Retribution'.
Costume
Once thinking things over, we decided what costumes would make the antagonist as believable and extremely intimidating. The fact that Nathan is the antagonist character in the thriller, he has to fit his role perfectly, wearing dark clothes and being very aggressive towards the protagonist during the attack. For his costume, we decided he has to wear black tracksuit bottoms with a black jumper, this represents the character has a very dark side to him. Furthermore, Nathan is wearing a black balaclava; covering his identity, which is a key fact in the thriller as without the balaclava it would leave our thriller with no mystery behind it.
We are first introduced to Nathan at the protagonists house, when he appears round a corner of the door peering at the protagonist, getting ready to attack him. Instantly he provides action for the thriller by the attack and the viewer can tell he is going to be a key character through the thriller. Nathan is not involved in any communications throughout the thriller, meaning that his personality is disclosed so he could be anybody. However, his actions and body language throughout the thriller express the fact that he is a very aggressive male. Nathan is seen as a bulky character with a substantial height on him, making him very intimidating and so that he fits the role of his antagonist character perfectly.
Towards the end of the clip Nathan is seen running away from a car, showing that he has done something wrong and does not want to be caught; he has a fear of getting caught. The next scene shows Nathan tied to a chair in a mysterious room with his attacker behind him about to reveal his identity, unfortunately it is left leaving the viewer in suspense as they never find out his true identity because it cuts to the title of our thriller; 'Retribution'.
Costume
Once thinking things over, we decided what costumes would make the antagonist as believable and extremely intimidating. The fact that Nathan is the antagonist character in the thriller, he has to fit his role perfectly, wearing dark clothes and being very aggressive towards the protagonist during the attack. For his costume, we decided he has to wear black tracksuit bottoms with a black jumper, this represents the character has a very dark side to him. Furthermore, Nathan is wearing a black balaclava; covering his identity, which is a key fact in the thriller as without the balaclava it would leave our thriller with no mystery behind it.Tuesday, 5 April 2011
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Thursday, 31 March 2011
Editing diary
Once we gathered all the footage we needed for the thriller, I began to edit them. I started off introducing a sound track to create tension before an image was shown, the music used for the tension is a slow piano and flute piece. As the thriller goes on the music start to get quicker and I change the soundtrack to set the mood of the scene; the tempo increases as the physical elements of the thriller come into play. After the physical scene of the thriller the music then gains a slower tempo again when Nathan is tied up to a chair adding to previous tension created, leaving the viewer in suspense of what is going to happen to Nathan. The opening of our thriller begins what a few taster cuts of what is to come throughout the duration of the thriller. Followed by all of the names involved within the thriller and also our company name 'NJR Productions'. The reason for this being that we felt if the viewer had a little teaser of what is going to happen then it would make them intrigued on what is to come. When editing it we had recorded a part where I find Ryan on the floor murdered and I remember seeing a suspected figure walking from Ryan's house. To make the thriller look realistic I decided to do a clip making it a flash and go into slow motion making it seem like a real flashback, of the walking suspect. Furthermore, it gives the viewer an idea of what James is thinking; building tension of what is going to happen next.
Coming towards then end of the thriller, the last clip is of Nathan tied up in a chair with a balacalver over his face in a dark room with nothing but a garden light shining on him. We recorded a clip of me coming up behind Nathan and taking of his balacalver so his identity was revealed. As the name of our thriller 'Retribution' was not shown on thriller yet, I thought it would be a good idea to leave the audience in suspense. When I remove the balacalver from Nathan to leave the audience in suspense we agreed that if we cut out his identity at the end and replaced it with a flash and then 'Retribution' appearing, leaving it with a cliffhanger ending with the music is still playing with a blank screen leaving a mystery behind the thriller.Friday, 4 March 2011
Music
During the editing of our thriller opening we incurred several problems concerning the music that we would include. Firstly, the music that we intended to use had to be edited to fit in with the thriller so that when the tension had been built up in certain scenes the music reflected this by intensifying. Once we had achieved this another problem arose in that we weren't sure if it was copyrighted or not.
We researched the music to identify whether it was copyright free and after finding 'supposed' comments from the creator that it was, we inserted it into our thriller. However, after further research to ensure it definitely was copyright free, we found that it wasn't in fact and the comments that said it was originated from an unknown source. We found out this information with only a few days remaining before the deadline of the completed coursework, so we were then in a rush to find a new piece of music to include in our opening.
After continuously researching pieces of music we eventually found one that was definately copyright free and so we spent a whole night on the day before the deadline to insert it into our thriller. We also ensured that it accentuated the tense scenes and intensified the thriller during the pivotal takes.
We researched the music to identify whether it was copyright free and after finding 'supposed' comments from the creator that it was, we inserted it into our thriller. However, after further research to ensure it definitely was copyright free, we found that it wasn't in fact and the comments that said it was originated from an unknown source. We found out this information with only a few days remaining before the deadline of the completed coursework, so we were then in a rush to find a new piece of music to include in our opening. After continuously researching pieces of music we eventually found one that was definately copyright free and so we spent a whole night on the day before the deadline to insert it into our thriller. We also ensured that it accentuated the tense scenes and intensified the thriller during the pivotal takes.
Monday, 28 February 2011
pre production
The pre post production was deciding what our prelimany video was going to consist of and if it was suiteable to do so. We shared our ideas and came up with a satisfactory plan and then created a story board. It started with the first scene of a figure walking down some stairs, a match on action will be done at this point. The second scene is of the figure walking down a corridor, a range of angles will be used in this scene. The third scene wwill be a convosation between two people, shot reverse shots will be used. . The scene had to be well lit so that we could get the best quality out of our filming. The camera angles we decided to use emphasise the mood and reason going on in the video.
Wednesday, 16 February 2011
The BBFC
The BBFC currently issues the following certificates. The category logos were introduced in December 2002, replacing the previous ones that had been in place since 1985.
| Symbol | Name | Definition/Notes |
|---|---|---|
| Universal | All ages admitted, there is nothing unsuitable for children. Films under this category should not upset children over 4. Examples: FernGully: The Last Rainforest, The Incredibles | |
| Parental Guidance | All ages admitted, but certain scenes may be unsuitable for children under 8. Example: The Simpsons Movie, Toy Story, Tron: Legacy | |
| 12A | Cinema only. Introduced in 2002. Films under this category are considered to be unsuitable for very young people. Those aged under 12 years are only admitted if accompanied by an adult, aged at least 18 years, at all times during the motion picture. However, it is generally not recommended that children under 12 years should watch the film. Films under this category can contain mature themes, discrimination, soft drugs, commonly used milder swear words, and moderate violence/sex references. Examples: Harry Potter and the Deathly Hallows, Pirates of the Caribbean, Yes Man, Fred: The Movie | |
| 12 | Home media only since 2002. 12A-rated films are usually given a 12 certificate for the VHS/DVD version unless extra material has been added that requires a higher rating. Nobody younger than 12 can rent or buy a 12-rated VHS, DVD, Blu-ray Disc, UMD or game. Films in this category may include infrequent drugs, infrequent use of strong language, brief nudity, discreet sexual activity, and moderate violence. | |
| 15 | Only those over 15 years are admitted. Nobody younger than 15 can rent or buy a 15-rated VHS, DVD, Blu-ray Disc, UMD or game, or watch a film in the cinema with this rating. Films under this category can contain adult themes, hard drugs, strong words, moderate-strong violence/sex references, and mild non-detailed sex activity. Examples: The Uninvited, Good Luck Chuck, Love and Other Drugs | |
| 18 | Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or watch a film in the cinema with this rating. Films under this category do not have limitation on the bad language that is used. Hard drugs are generally allowed, and strong violence/sex references along with non-detailed sex activity is also allowed. Examples: In Bruges, Saw III, Jackass 3D | |
| Restricted 18 | Only adults are admitted, and can only be shown at licensed cinemas or sold at sex shops. Films under this category have material the BBFC does not allow for its "18" rating, thus the violence and sex activity will be stronger in R18-rated VHSs, DVDs and films than those rated "18," however, there is still a range of material that is often cut from the R18 rating. More cuts are demanded in this category than any other category.[6] Example: Deep Throat |
| Symbol | Name | Definition/Notes |
|---|---|---|
| Universal | All ages admitted, there is nothing unsuitable for children. Films under this category should not upset children over 4. Examples: FernGully: The Last Rainforest, The Incredibles | |
| Parental Guidance | All ages admitted, but certain scenes may be unsuitable for children under 8. Example: The Simpsons Movie, Toy Story, Tron: Legacy | |
| 12A | Cinema only. Introduced in 2002. Films under this category are considered to be unsuitable for very young people. Those aged under 12 years are only admitted if accompanied by an adult, aged at least 18 years, at all times during the motion picture. However, it is generally not recommended that children under 12 years should watch the film. Films under this category can contain mature themes, discrimination, soft drugs, commonly used milder swear words, and moderate violence/sex references. Examples: Harry Potter and the Deathly Hallows, Pirates of the Caribbean, Yes Man, Fred: The Movie | |
| 12 | Home media only since 2002. 12A-rated films are usually given a 12 certificate for the VHS/DVD version unless extra material has been added that requires a higher rating. Nobody younger than 12 can rent or buy a 12-rated VHS, DVD, Blu-ray Disc, UMD or game. Films in this category may include infrequent drugs, infrequent use of strong language, brief nudity, discreet sexual activity, and moderate violence. | |
| 15 | Only those over 15 years are admitted. Nobody younger than 15 can rent or buy a 15-rated VHS, DVD, Blu-ray Disc, UMD or game, or watch a film in the cinema with this rating. Films under this category can contain adult themes, hard drugs, strong words, moderate-strong violence/sex references, and mild non-detailed sex activity. Examples: The Uninvited, Good Luck Chuck, Love and Other Drugs | |
| 18 | Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or watch a film in the cinema with this rating. Films under this category do not have limitation on the bad language that is used. Hard drugs are generally allowed, and strong violence/sex references along with non-detailed sex activity is also allowed. Examples: In Bruges, Saw III, Jackass 3D | |
| Restricted 18 | Only adults are admitted, and can only be shown at licensed cinemas or sold at sex shops. Films under this category have material the BBFC does not allow for its "18" rating, thus the violence and sex activity will be stronger in R18-rated VHSs, DVDs and films than those rated "18," however, there is still a range of material that is often cut from the R18 rating. More cuts are demanded in this category than any other category.[6] |
| Universal | All ages admitted, there is nothing unsuitable for children. Films under this category should not upset children over 4. Examples: FernGully: The Last Rainforest, The Incredibles |
Friday, 11 February 2011
Preliminary - 180 degree rule
Match on action
Match on action is when you get a shot of something, then another shot from another angle of the same action as the first shot. This gives the effect that although there is a shot after the other, the two shots are happening at the same time.
Shot reverse shot
Shot reverse shot is where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character. Since the characters are shown facing in opposite directions, the viewer assumes that they are looking at each other.
Match on action is when you get a shot of something, then another shot from another angle of the same action as the first shot. This gives the effect that although there is a shot after the other, the two shots are happening at the same time.
Shot reverse shot
Shot reverse shot is where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character. Since the characters are shown facing in opposite directions, the viewer assumes that they are looking at each other.
Focus group findings
We have interviewed a focus group and asked questions about what their expectations are within a thriller.
Nathan Joyner-
In a thriller i would expect to see a big snappy title with a memorible tone. Also alot of deep dark and violent colours such as reds, whites and blacks will create the thriller look. Tension and suspense should be made by the music and actions of the characters. Mysterious characters have to be involved and the story lines need to be confusing leaving the audience with unanswerd questions.
Kayleigh Bolton-
I would expect villans and victims, alot of props such as guns and knives. The story line should make you think carefully about whats happening in the film as it should be confusing. Dark colours should also be displayed and should also suite the mood of the thriller.
Nathan Joyner-
In a thriller i would expect to see a big snappy title with a memorible tone. Also alot of deep dark and violent colours such as reds, whites and blacks will create the thriller look. Tension and suspense should be made by the music and actions of the characters. Mysterious characters have to be involved and the story lines need to be confusing leaving the audience with unanswerd questions.
Kayleigh Bolton-
I would expect villans and victims, alot of props such as guns and knives. The story line should make you think carefully about whats happening in the film as it should be confusing. Dark colours should also be displayed and should also suite the mood of the thriller.
Saturday, 5 February 2011
Year 13 tips
Here are some tips that we gained from the year 13's to getting the higher grades.
- Keep on top of work and try to post around 2 posts a week.
- Use technology as well as doing writen work and photograph everything when filming so you can show how you filmed it.
- Choose good people to work with because they could reduce your grade.
- Divide work fairly with everyone in group so that everyone does the same work as everyone else.
- Blogg everything that you do to get maximum marks.
- Film way before the deadline so if it goes wrong then you have plenty of time to correct it.
- Get other idea's from looking at other bloggs.
- Analyse other thrillers from over the years and apply them to yours.
- Try not to be boring or diverse, and be interesting.
- Check that camera's are charged before filming and obvious things like that ect..
- Make sure group are informed in advance.
- Keep on top of work and try to post around 2 posts a week.
- Use technology as well as doing writen work and photograph everything when filming so you can show how you filmed it.
- Choose good people to work with because they could reduce your grade.
- Divide work fairly with everyone in group so that everyone does the same work as everyone else.
- Blogg everything that you do to get maximum marks.
- Film way before the deadline so if it goes wrong then you have plenty of time to correct it.
- Get other idea's from looking at other bloggs.
- Analyse other thrillers from over the years and apply them to yours.
- Try not to be boring or diverse, and be interesting.
- Check that camera's are charged before filming and obvious things like that ect..
- Make sure group are informed in advance.
Thursday, 3 February 2011
Mood Board
Thriller posters all have the same distinctive theme or look. The all usually use the same colour scheme which includes red, white and black. RED: for blood, passion, danger. WHITE: for purity, innocence.
BLACK: for evil, tension, death. These things all make up a good thriller and that is why these colours are included in visual products of thrillers.
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